Aquaman
Spoiler-free!
Pro tip for the DCEU: don't try to copy Marvel. First, because you're bad at it so you'll fail, but also because it's an over-saturated market anyway and as the off-brand you'll never be anything but last place.
I'm so tired of Disney's Marvel movies that when I go to movies like Aquaman and something bad happens I think to myself, "Well, at least I'm not watching another Marvel movie." But Marvel movies are (mostly) still objectively better. (They have a secret ingredient, and unlike your grandma, it isn't love.) I want a new, better, game-changing method to be thought of, so superhero movies can be exciting again -- so, Dear DCEU, I have your best interest at heart.
Here's what you need to do, from the perspective of someone who wants to like superhero movies, but more often than not doesn't: Take risks. The last risky Marvel movie was Guardians of the Galaxy and that movie changed their game. The biggest risk y'all ever made was Wonder Woman, and she is, without a doubt, keeping your franchise afloat. Aquaman is a decent movie. It's got a fine cast who are having fun, a unique central setting, a basic plot with lots of locations to visit... but for a live-action movie that takes place 50% underwater, it's surprisingly un-risky. It's good enough. But in today's world, good enough is practically bad.
It has a lot of individual issues, each one speaking to a different origin of misguided intention. For one, it wants to be funny, but outright jokes rarely land and are mostly used to cover up lazy writing. Example: "You could've just peed on it." Yes. Or spit on it. That line draws our attention to the fact, but does little to endow the scene with any more sense. It would've been funnier to me if he had stopped her halfway through collecting his sweat with her superpowers and just spit a nice glob of foamy saliva on the thing. What is most genuinely funny in the movie is when it embraces its own bombastic clichés, so we laugh with them, not at them.
Jason Momoa's presence is amusing in a completely natural way that works. Things like the hair flip, the way he plays off jokes, and his epic poses and awesome hero moments -- he's having a blast and it translates. For that reason, a comedy tone seems like a good idea, but the movie misses matching its tone to him still; it's comparatively dead. He even plays the drama well and comes across as sincere and comfortable, and kinda leaves the film behind in his wake. It gets bogged down in its effort to keep up with him by trying to structure that free-spirit vibe too much. Movies need structure, but this was an undisguised step-by-step adventure, and could barely establish itself in a location before he was ready to move on. It was holding him back.
When the focus was solely on him it always seemed to work. But I rather liked the supporting players so I'm not sure I'd wish for less of them. My favorite was his half-brother Orm, the primary villain played by Patrick Wilson. There was a early-era Loki vibe there, but not in a copycat way, that I enjoyed. Orm is very theatrical and I loved how often he'd yell and it would almost sound like he was singing. His motivations are also not convoluted, unlike the secondary villain (Yahya Abdul-Mateen II), who is necessary, yet still distinctly feels like he detracts from the film. I also loved Nicole Kidman and the drama that she brought. Her strange romance with Arthur's father (Temuera Morrison) was a highlight of the movie.
Mera (Amber Heard) I could take or leave. She stole too much of Arthur's thunder, but her presence was necessary, and the Shakespearean battling wits might've worked excellently with a smidge more chemistry and more biting writing. Willem Dafoe was perhaps underused, but better that than overused. The movie seemed afraid to put Arthur in scenes alone, but the best scene was the one where he was alone (well there was a giant monster there too, but it counts), and got to carry the scene without someone inadvertently stepping on his toes. I'm sure it wasn't intentional, but his interactions with Mera especially feel more like a passive-aggressive fights to upstage the other instead of an actual scene where the actors play off and elevate each other.
Visuals are a big part of the movie, and overall, I was impressed. Atlantis looked vast and vibrant and almost like a lived-in futuristic water city. Creature design was cool -- they went all out for that giant sea-monster thing. And there was some memorable and neat camera work. Especially in underwater fight scenes it takes on a less 2D perspective of the environment like scenes in outer space. (Should've taken that further!) The underwater effects were my biggest worry and turns out they were well-founded. The animated floating hair was so distracting, I couldn't pay attention to the actors' expressions. And the water distortion bothered me a bit too. I was always relieved when scenes took place on ground or in air pockets.
The action isn't anything particular except when paired with good visuals or a pleasantly hammy performance. That second one-on-one brother duel would've been quite good if only Orm had lost that dumb helmet at the start of it. Seems like the whole movie was that: pretty good ideas killed by lazy details and no follow-through. Still, my experience skewed toward enjoyment with the deviance from the Marvel formula -- though I'm sure the idea was to copy it. People have called it a rehash of Black Panther but that's in passing plot points only. Overall, taking tone, theme, and plot into account, it's more similar to Thor, and in a way that I liked.
I had a fine time watching, but it was more the lack of irritation and less the presence of good that was the cause. It's silly, cheesy, and pleasantly extravagant; but in such a risk-less and amateurishly calculated way that much of the magic gets dried up before it reaches us. So, in the end... and I'm sorry for this... it doesn't make any waves. I'll see myself out.
Pro tip for the DCEU: don't try to copy Marvel. First, because you're bad at it so you'll fail, but also because it's an over-saturated market anyway and as the off-brand you'll never be anything but last place.
I'm so tired of Disney's Marvel movies that when I go to movies like Aquaman and something bad happens I think to myself, "Well, at least I'm not watching another Marvel movie." But Marvel movies are (mostly) still objectively better. (They have a secret ingredient, and unlike your grandma, it isn't love.) I want a new, better, game-changing method to be thought of, so superhero movies can be exciting again -- so, Dear DCEU, I have your best interest at heart.
 |
| Okay maybe MY interest is at heart, and your interest is right next to it. |
Here's what you need to do, from the perspective of someone who wants to like superhero movies, but more often than not doesn't: Take risks. The last risky Marvel movie was Guardians of the Galaxy and that movie changed their game. The biggest risk y'all ever made was Wonder Woman, and she is, without a doubt, keeping your franchise afloat. Aquaman is a decent movie. It's got a fine cast who are having fun, a unique central setting, a basic plot with lots of locations to visit... but for a live-action movie that takes place 50% underwater, it's surprisingly un-risky. It's good enough. But in today's world, good enough is practically bad.
It has a lot of individual issues, each one speaking to a different origin of misguided intention. For one, it wants to be funny, but outright jokes rarely land and are mostly used to cover up lazy writing. Example: "You could've just peed on it." Yes. Or spit on it. That line draws our attention to the fact, but does little to endow the scene with any more sense. It would've been funnier to me if he had stopped her halfway through collecting his sweat with her superpowers and just spit a nice glob of foamy saliva on the thing. What is most genuinely funny in the movie is when it embraces its own bombastic clichés, so we laugh with them, not at them.
 |
| Self-awareness that circumvents the cliché > self-awareness that points out the use of a cliché. |
Jason Momoa's presence is amusing in a completely natural way that works. Things like the hair flip, the way he plays off jokes, and his epic poses and awesome hero moments -- he's having a blast and it translates. For that reason, a comedy tone seems like a good idea, but the movie misses matching its tone to him still; it's comparatively dead. He even plays the drama well and comes across as sincere and comfortable, and kinda leaves the film behind in his wake. It gets bogged down in its effort to keep up with him by trying to structure that free-spirit vibe too much. Movies need structure, but this was an undisguised step-by-step adventure, and could barely establish itself in a location before he was ready to move on. It was holding him back.
When the focus was solely on him it always seemed to work. But I rather liked the supporting players so I'm not sure I'd wish for less of them. My favorite was his half-brother Orm, the primary villain played by Patrick Wilson. There was a early-era Loki vibe there, but not in a copycat way, that I enjoyed. Orm is very theatrical and I loved how often he'd yell and it would almost sound like he was singing. His motivations are also not convoluted, unlike the secondary villain (Yahya Abdul-Mateen II), who is necessary, yet still distinctly feels like he detracts from the film. I also loved Nicole Kidman and the drama that she brought. Her strange romance with Arthur's father (Temuera Morrison) was a highlight of the movie.
 |
| I figured he'd be my favorite part of the movie, and I figured right. His hair was awesome and that's saying something because everyone's hair was a really big deal. |
Mera (Amber Heard) I could take or leave. She stole too much of Arthur's thunder, but her presence was necessary, and the Shakespearean battling wits might've worked excellently with a smidge more chemistry and more biting writing. Willem Dafoe was perhaps underused, but better that than overused. The movie seemed afraid to put Arthur in scenes alone, but the best scene was the one where he was alone (well there was a giant monster there too, but it counts), and got to carry the scene without someone inadvertently stepping on his toes. I'm sure it wasn't intentional, but his interactions with Mera especially feel more like a passive-aggressive fights to upstage the other instead of an actual scene where the actors play off and elevate each other.
Visuals are a big part of the movie, and overall, I was impressed. Atlantis looked vast and vibrant and almost like a lived-in futuristic water city. Creature design was cool -- they went all out for that giant sea-monster thing. And there was some memorable and neat camera work. Especially in underwater fight scenes it takes on a less 2D perspective of the environment like scenes in outer space. (Should've taken that further!) The underwater effects were my biggest worry and turns out they were well-founded. The animated floating hair was so distracting, I couldn't pay attention to the actors' expressions. And the water distortion bothered me a bit too. I was always relieved when scenes took place on ground or in air pockets.
 |
| Lol check out Willem photo-bombing in the back. |
The action isn't anything particular except when paired with good visuals or a pleasantly hammy performance. That second one-on-one brother duel would've been quite good if only Orm had lost that dumb helmet at the start of it. Seems like the whole movie was that: pretty good ideas killed by lazy details and no follow-through. Still, my experience skewed toward enjoyment with the deviance from the Marvel formula -- though I'm sure the idea was to copy it. People have called it a rehash of Black Panther but that's in passing plot points only. Overall, taking tone, theme, and plot into account, it's more similar to Thor, and in a way that I liked.
I had a fine time watching, but it was more the lack of irritation and less the presence of good that was the cause. It's silly, cheesy, and pleasantly extravagant; but in such a risk-less and amateurishly calculated way that much of the magic gets dried up before it reaches us. So, in the end... and I'm sorry for this... it doesn't make any waves. I'll see myself out.
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